Arrocha is not a rhythm typically grouped with the Afro-Cuban origins of Latin jazz; it’s a popular music genre that originated in Brazil, particularly in the Bahia region. However, it has gained popularity in other Latin American countries. It is known for its romantic and emotive style, often featuring a slower tempo that allows for expressive singing and heartfelt lyrics.

The instrumentation of Arrocha can include guitars, keyboards, and percussion, with a heavy emphasis on the electronic drum beats that create its distinctive rhythmic backbone. It borrows elements from other music styles like Sertanejo and Axé, and it’s commonly heard at parties and nightclubs in Brazil.

As a dance style, Arrocha is paired with the music to allow for close partner dancing, with moves that are intimate and sometimes involve the hips and close contact with the dance partner, reflecting the music’s romantic nature.

In terms of specific songs and artists, Arrocha has been popularized by singers such as Pablo, who is often referred to as “The Voice of Arrocha,” with hits like “Porque Homem Não Chora” and “Bilu Bilu.” Another prominent name in the genre is Tierry, with songs like “HB20” and “Rita.” These artists and their songs offer a clear example of the Arrocha style, characterized by its slow tempo, simple but catchy drum patterns, and emotive delivery. the genre is closely associated with artists like Pablo, a Brazilian singer known for his romantic style and for popularizing Arrocha. Songs like “Pecado de Amor” and “Homem Não Chora” are iconic within the genre.

Given that the style is not directly linked to the traditional Latin jazz genre, the songs and artists mentioned are examples of contemporary interpretations and developments within the broader scope of Latin-influenced music.

The “1, 2, 3, 4” would be the downbeats (the main beats in the measure).
The “&” symbols represent the offbeats (the subdivisions between the main beats).
The “B” represents where the beat is struck.
The “-” (dashes) represents the rests, or the points where no beat is struck.