Bert Howell: The Jazz Bandleader
Early Life and Musical Beginnings
Bertram (Bert) Howell, born on November 24, 1893, in Runcorn, Cheshire, England, was a renowned musician, band-leader, and collector. His musical journey began at a young age when he started learning to play the violin from the age of 9 at the Royal Manchester College of Music. He claimed to have progressed to playing in the Hallé Orchestra. He emigrated to Melbourne before World War I broke out and formed the Society Jazz Band in 1916.
Career and Musical Innovations
Howell’s early professional engagements included appearances at the ‘Djin Djin’ tearooms, Collins Street, in 1920 and at private parties. In that year he established the Dominant Music Lending Library at 178 Collins Street. Between engagements at the Victory Picture Theatre, St Kilda, he went abroad in 1922 and 1924 to further his musical studies and collect the latest music. After two phenomenally successful years (from September 1928) at the Ambassadors Theatre, Perth, Howell arrived in Sydney early in 1931 where he took positions in turn at the Capitol and State theatres.
Recordings and Performances
Over the years, Howell recorded several albums that showcased his unique musical style. His band dominated Melbourne radio. Organized as both a big-time theatre and radio unit, it included the city’s top musicians who could earn over £15 a week. From September 1935 they combined regular appearances at the Capitol with their ‘Shell Show’ on radio 3AW. In March 1938 the band moved to the State Theatre until its contract was ended in February 1939.
Contributions to Jazz
Howell’s contributions to jazz go beyond his performances and recordings. He adopted Swing, an aggressive new form of music, when it reached Australia in 1936 and quickly spread through the entertainment industry. His band included the city’s top musicians who could earn over £15 a week. From September 1935 they combined regular appearances at the Capitol with their ‘Shell Show’ on radio 3AW.
Legacy and Influence
Howell’s influence extends beyond his performances and compositions. He was a key figure in the rise of the jazz scene in Australia. He passed away on November 10, 1961.
- “Harry Wills, the Champion”– This track showcases Howell’s unique approach to jazz, combining classical music with jazz and Latin American rhythms.
- “Wasn’t It Nice”– This track, released in 1926, is a testament to Howell’s unique and personal performance style.
- “The Aussies and the Yanks Are Here”– This 1942 recording showcases Howell’s innovative approach to music.
- “Waltzing Matilda”– This track features collaborations with other musicians and showcases Howell’s ability to create captivating jazz compositions.
- “Howell, Horsley & Bradford”– This album features Howell’s work with his band, providing a glimpse into his musical genius.
- “Bert Howell & His Show Band”– This track showcases Howell’s unique musical style.
- “Bob Hudson and Glenn A. Baker Present Antipodean Atrocities: Dubious Ditties, Patriotic Pap and Enthusiastic Excesses That Made Australia Grate”– This track provides a glimpse into Howell’s musical genius and his ability to create unique jazz compositions.
- “Too Late, Too Late Vol. 13 (1921-1940) – More Newly Discovered Titles, Supplements & Alternative Takes”– This track showcases Howell’s incorporation of Latin American rhythms into his music.
- “I’ll Be Smiling When You’re Crying”– This track provides a comprehensive overview of Howell’s musical journey.
- “You’re Driving Me Crazy”– This track showcases Howell’s unique fusion of classical music with jazz.
