Bob Erlendson, Canadian jazz pianist
Early Life and Career
Bob Erlendson, born Robert Arthur Glen Erlendson, was a Canadian jazz pianist, composer, and educator. Born in Winnipeg, Manitoba, on January 17, 1931, Erlendson developed a passion for jazz music early in his life. His career spanned several decades, during which he composed and played jazz music on the piano.
Journey to Jazz
In 1954, Erlendson moved from Winnipeg to Toronto. He then toured in the U.S. with Don (D.T.) Thompson for three years. This period was instrumental in shaping Erlendson’s musical style and honing his skills as a jazz musician. He was particularly drawn to the improvisational nature of jazz, which allowed him to express his creativity freely.
Education and Influence
Erlendson was not just a performer; he was also a dedicated educator. In the 1970s, he studied jazz arranging with Gordon Delamont in Toronto. After several years of study, in 1976, he won the Eddie Karam Award for best new arrangement by Delamont students. Erlendson’s influence extended beyond his own performances. He is credited with introducing a young guitarist in Winnipeg, Lenny Breau, to the music of Bill Evans, which in turn shaped Breau’s unique conception of harmony.
Legacy and Influence
Erlendson’s legacy in the world of jazz is significant. His contributions as a performer, composer, and educator have left a lasting impact on the Canadian jazz scene. His work has influenced many musicians, and his compositions continue to be played and appreciated by jazz enthusiasts. Erlendson’s influence extends beyond Canada, as his music has reached audiences around the world.
Later Life and Death
Erlendson continued to be active in the jazz scene well into his later years. He passed away on Thursday, January 25, 2024, at the age of 93 years. His death marked the end of an era, but his music and influence continue to live on in the world of jazz.
- “Solo Piano” by Bob Erlendson: This recording showcases Erlendson’s mastery of the piano in a solo setting.
- “All About Jazz, Vol. 4” by Bob Erlendson: This volume is part of a series where Erlendson explores various jazz styles and techniques.
- “Erlendson 4” by Bob Erlendson: A recording featuring Erlendson and his quartet, demonstrating their tight-knit collaboration.
- “Bus Stop” by Bob Erlendson: A composition that highlights Erlendson’s ability to blend melody and rhythm in a unique way.
- “Lullaby” by Bob Erlendson: A soothing piece that showcases Erlendson’s softer, more melodic side.
- “Corner House Waltz” by Bob Erlendson: This waltz is a testament to Erlendson’s versatility and his ability to infuse jazz elements into different musical forms.
- “Raccat” by Bob Erlendson: A fast-paced composition that showcases Erlendson’s technical prowess and innovative approach to jazz.
- “We Can Try” by Bob Erlendson: This recording is a testament to Erlendson’s optimistic outlook and his belief in the power of perseverance.
- “Kalabash Cha Cha” by Bob Erlendson: This piece showcases Erlendson’s ability to incorporate diverse musical influences into his compositions.
- “Bag’s Lick” by Bob Erlendson: A composition that highlights Erlendson’s playful side and his knack for catchy, memorable melodies.
