Daniel Humair: A Master of Rhythm and Color
The Early Years
Daniel Humair, born on May 23, 1938, in Geneva, Switzerland, is a renowned drummer, composer, and painter. His journey in the world of music began in the 1960s, marking over six decades of active contribution to the jazz genre.
The Musician
Humair’s musical prowess is not confined to a single instrument. Although he is primarily known as a drummer, his talents extend to composing as well. His collaborations with jazz performers such as Phil Woods, Jean-Luc Ponty, Chet Baker, Michel Portal, Martial Solal, Dexter Gordon, Gerry Mulligan, Rahsaan Roland Kirk, and Eric Dolphy have left an indelible mark on the jazz landscape.
The Painter
In addition to his musical accomplishments, Humair is also a talented painter. His work, which he describes as “figurative abstract,” demonstrates his passion and knowledge of artistic painting. His dual talents in music and art have earned him recognition and accolades, including becoming a Chevalier of the Ordre des Arts et des Lettres in 1986 and Officier in 1992.
The Discography
Humair’s discography is as diverse as it is extensive. From his early work with Rene Urtreger and Pierre Michelot in “Hum!” (1960) to his recent collaborations in “Pas de Dense” with Tony Malaby (2010), his musical journey reflects his constant evolution as an artist.
The Legacy
Humair’s contributions to the world of jazz and art have left a lasting legacy. His unique blend of rhythmic mastery and colorful compositions has influenced generations of musicians and artists. His work continues to inspire and captivate audiences around the world.
Conclusion
Daniel Humair’s life and career serve as a testament to his immense talent and dedication to his craft. Whether through the rhythmic beats of his drumming or the vibrant strokes of his paintings, Humair continues to enchant audiences with his creativity and passion. His enduring influence in both the music and art worlds underscores his status as a truly exceptional artist.
- “Hum!”– This album, recorded with Rene Urtreger and Pierre Michelot in 1960, marked the beginning of Humair’s discography.
- “Trio HLP”– Released in 1968, this album showcases Humair’s versatility and talent in a trio setting.
- “Drumo Vocalo”– This 1971 release is a testament to Humair’s innovative approach to jazz and improvisation.
- “Our Kind of Sabi”– Recorded with Eddy Louiss and John Surman in 1970, this album is a blend of avant-garde jazz and futurism.
- “Beck Mathewson Humair Trio”– Released in 1972, this album features a dynamic trio setting with Gordon Beck and Ron Mathewson.
- “La Sorcellerie a Travers Les Ages”– This 1977 album, recorded with Jean Luc Ponty, Phil Woods, and Eddy Louiss, showcases Humair’s ability to blend different styles and influences.
- “Triple Hip Trip”– Released in 1979, this album is a testament to Humair’s innovative approach to jazz and improvisation.
- “Akagera”– This 1980 album, recorded with Humair Jeanneau Texier, showcases Humair’s ability to blend different styles and influences.
- “Apocalypse”– This 1980 album, recorded with Jean-Charles Capon, showcases Humair’s ability to blend different styles and influences.
- “East Side / West Side”– Released in 1981, this album showcases Humair’s versatility and talent in a trio setting with Jim McNeely and Mike Richmond.
