Don Thompson: A Versatile Virtuoso in Jazz
The Genesis of a Jazz Virtuoso
Donald Winston Thompson, born on January 18, 1940, is a Canadian jazz musician who has made significant contributions to the genre for over half a century. He is a multi-instrumentalist, proficient in double bass, piano, and vibraphone. Thompson’s journey into the world of music began in Powell River, British Columbia, Canada. He moved to Vancouver in 1960, where he worked as a freelance musician, primarily playing the bass. He collaborated with local musicians like Dave Robbins and Chris Gage, and also led his own musical groups. His early years were marked by a deep immersion in the local music scene, honing his skills and developing his unique style.
The Leap to Stardom
In 1965, Thompson joined the quintet of San Francisco-based saxophonist John Handy. His performance with Handy at the 1965 Monterey Jazz Festival was recorded and released, gaining significant popularity. This marked a turning point in Thompson’s career, catapulting him into the limelight. Thompson returned to Canada in 1967 and has been a resident of Toronto since 1969. In Toronto, he quickly became the city’s first-call studio bassist, a standing he maintained until he turned exclusively to jazz in the mid-1970s. His rise to fame was not just a testament to his talent, but also his dedication and passion for jazz.
Collaborations: The Heart of Thompson’s Career
Thompson’s collaborations with other musicians have been a significant part of his career. He was a member of Rob McConnell’s Boss Brass for more than two decades, starting in the late 1960s. He also worked with guitarist Jim Hall for several years in the 1970s and 1980s. One of Thompson’s best-known musical associations was his membership in Paul Desmond’s “Toronto Quartet” from 1974 to 1976, along with Ed Bickert and Jerry Fuller. These collaborations not only enriched his musical repertoire but also allowed him to influence and be influenced by other greats in the field.
A Pillar of Jazz Education
In addition to his performance career, Thompson has also made significant contributions to jazz education. He has taught at the Banff CA Jazz Workshop since 1982. He first met singer Diana Panton in the 1990s when he heard her sing as a high-school student, and he encouraged Panton to study at the Banff Centre, where he was one of her faculty instructors. His commitment to nurturing the next generation of jazz musicians is a testament to his love for the genre.
The Legacy of Don Thompson
Thompson’s influence on the jazz scene extends beyond his performances. As a backing musician in studio and live performance, Thompson has appeared on more than 200 records, including releases by George Shearing, Buddy Tate, Jay McShann, Junior Mance, John Handy, Ed Bickert, John Abercrombie, Moe Koffman, Anne Murray, Mel Tormé, Ruby Braff, Lenny Breau, and others. His work has left an indelible mark on the genre, and his contributions continue to inspire the next generation of jazz musicians.
Conclusion: The Continuing Journey of a Jazz Maestro
Don Thompson’s journey in the world of jazz is far from over. With a career spanning over five decades, he continues to contribute to the genre as a performer, recording artist, producer, session musician, and music educator. His versatility, talent, and dedication to jazz have made him a revered figure in the industry. His story serves as an inspiration to aspiring musicians and a testament to the power of passion and perseverance.
Please note that while I strive for accuracy, there may be some minor discrepancies due to the dynamic nature of online information. I recommend cross-referencing with other sources for the most accurate and up-to-date information.
- “Live at Monterey”by John Handy: This album features Thompson’s performance with Handy at the 1965 Monterey Jazz Festival. It was one of the most popular jazz recordings of the 1960s.
- “Days Gone By”: This is Thompson’s best-known composition. It has been arranged for big band and for symphony orchestra and has been recorded by various artists including the Boss Brass and Moe Koffman.
- “Top Drawer”by George Shearing and Mel Tormé: Thompson was the sole accompanist to Shearing and Tormé on this album, which won a Grammy award in 1984.
- “Journey to Skye”: This composition for pipe band was recorded by the 78th Fraser Highlanders. It showcases Thompson’s versatility as a composer.
- “Quartet ’89”: This composition for four double basses was premiered at the New Music Concerts by Thompson himself along with Joel Quarrington and others.
- “Abstract & Dreams”: This composition for jazz and string quartets was recorded by Jim Hall in 1990. It reflects Thompson’s ability to blend different musical styles.
- “Trio ’85”: This composition for clarinet, double bass, and piano was premiered by James Campbell and others. It demonstrates Thompson’s skill in writing for small ensembles.
- “Museum Pieces”by Moe Koffman: Thompson worked as a co-producer with Koffman on this album, contributing arrangements and compositions.
- “Looking Up”by Moe Koffman: Thompson again worked as a co-producer with Koffman on this album, further showcasing his skills as a producer and arranger.
- “One More For The Road”: This is one of Thompson’s recent releases. It continues to demonstrate his ongoing contributions to the jazz genre.
